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NOISE MEGAPOST!

So I've been busy doing non-blog stuff for the past week (i.e work/moving house), and since then I have been inundated with noise submissions, which is awesome! On the flipside, I am struggling to do a full write up for each artist, so I figured I'd go with another noise megapost - this time without the shameless self promotion. I'd like to make these sorts of posts more common, so if you're a noiser, and you want your stuff plugged, send it in, by all means! The more submissions, the more mega posts I can put together!

Anyway...

'Auto-da-fé'
Peasant

Topher Wallace is the man behind Glossary Records as well as noise project Peasant. Just last week, the Texan based noiser released this tape and boy is it a doozy.  Auto-da-fé is two tracks (well over the ten minute mark) of swirling, chaotic screeches and static. Both tracks are excellent displays of cut-up, harsh dynamics with beefed up low end. A prime example of how to record longer noise tracks without boring the socks off people.

Bandcamp

'adwa'
HRRR

Coming at you from Toronto, Canada is the solo project, HRRR, courtesy of Gene Fracassi. Rooted in the industrial techno/experimental noise side of things, HRRR's music is built on synthesizers and samplers, as well as effects pedals. adwa is cold, apathetic music that sounds like it could be played in a nightclub populated entirely by robots. Minimal beats, punch synth lines and eerie background ambience make for intriguing listen indeed.

Download
Bandcamp

'BLACK OUT'
Nerve Vitamins

Noise from one of the guys out of Bad Juju.
Travis Pipkey's noise is a harsh and hectic as it gets, with plenty of shrill bursts of feedback, and pummeling effects pedal manipulation to get you all excited too. The extremely distorted and completely indiscernible vocals give Nerve Vitamins noise an even more disorienting and chaotic edge, showing up rather sporadically to shatter your nerves and damage your hearing.

Soundcloud

'Only Torture'
Limbs Bin

Limbs Bin is the noise project from Mr. Josh Landes. Power electronics meets noisegrind meets harsh noise in this cacophonic, intense ten minute track. Only Torture begins as a straight-up harsh noise wall track and gradually evolves into something else entirely, incorporating bursts of drum machine blasts and Josh's vocals. While this super-duper limited tape has since sold out, it's available here for free. Go for it!

Bandcamp

'Body Parts'
Rectocel

Rectocel is the collaboration between Jesse Kling (Rape-X) and Alexandra Pharmakidis (Power Monster, who have been reviewed on here before)
Honestly, the whole sexually deviant power electronics thing has been done to death, but Rectocel have some  brilliant noise work to back up their questionable subject matter with. Massive crumbling walls of static, distorted samples and eerie, menacing vocals are the game plan here, with a cover of Total Abuse's 14 Years Old to boot.

Bandcamp

Interview With Sean Beard (Waves Crashing Piano Chords, H8-Track Stereo)

Interview by Brayden Bagnall

Sean Beard is the man behind Waves Crashing Piano Chords and H8-Track Stereo. He's also a Juggalo. 

I interviewed Sean, who happens to be a very nice dude, about his noise, his label and how horrorcore and power electronics make strange bedfellows.

FBN: Hi there! Who are you and what do you do?

Sean: I'm Sean Beard.

FBN: Tell us about your main project, Waves Crashing Piano Chords. How did that come about, how long has it been going for?

Sean: It came about slowly. I started the project in 2005, but the first live performance wasn't until 2008, and all the gigs from that year were just showing up and crashing local events without permission. A year later around late 2009 I started getting asked to play gigs.

FBN: What made you want to start such a harsh, violent power electronics project?

Sean: I'm just doing what I wanted to see/hear, and felt wasn't being done.

FBN: WCPC's setup is pretty minimal - microphone and amp - would you say this is to place more emphasis on the performance and vocals, as opposed to the noise and gear?

Sean: Those are the only sounds that I want to hear. Though some of the records from 2012 had an mg-1 concertmate synthesizer on them. If I could incorporate more gear, and still put on the same performance that I do - I wouldn't. 

FBN: Speaking of performances, your live shows get pretty hairy. What drives you put on such a confrontational show?

Sean: The whole drive for me is that it should be a confrontational show - otherwise I wouldn't enjoy doing it.

FBN: Do you think confrontation is a vital part of noise music? Why so?

Sean: I think the idea of making noise over music is or intitially was confrontational, so yes.

FBN:The obligatory 'Juggalo' question - is the face paint to deliberately annoy people, a way to break down barriers between musical subcultures, you embracing your Juggalo heritage or all of the above?

Sean: All of the above.

FBN: I've heard that fellow Juggalos turn up at your show, despite the fact your music is a far cry from horrorcore. How does that go down?

Sean: A lot of people into WCPC I've noticed don't necessarily listen to or even like noise otherwise. As strange as it may sound locally I seem to attract lots of "regular music" listeners - lots of pop radio and country fans. I think that comes from crashing and performing anything but noise events for the first few years playing out. In fact.. I was never asked to play a "noise show" until early 2012, which as it turns out is the easiest group of people to offend because almost everybody doing noise is a total pussy who thinks boring an audience out of a room counts as pissing them off. I've had lots of juggalo fam attend over the years, and some even paint up for the occasion. Great feeling. 

FBN: You also run H8 Track stereo, a label that specialises in some pretty obscure formats. Why do you release stuff on 8 Track and lathe cuts as opposed to tapes or CD?

Sean: 8-tracks are the misunderstood format - they have a bad rep, but there's something about them that draws me in. I guess i'm just attracted to bad boys. The lathe cuts are just a good way to get a release playable on a turntable without having to press a large number of copies.

FBN: Waves Crashing Piano Chords just released an Atari 2600 cartridge, tell us more about that?

Sean: Basically it turns your video game console into a two-voice synthesizer so you can make a bunch of harsh noise and feedback sounds with it. It can also be used without a tv so you can hook your Atari into an amp and get wicked.

FBN: What are your top three noise releases of all time?

Sean: White Hospital - Holocaust + We Wish You A Merry X'mas 7"

Whitehouse - New Britain

Bloodyminded - Trophy

FBN: Finally, any shout outs, fuck yous, thank yous or words of wisdom for the world wide web?

Sean: The label just turned a year old on May 29th. A big thank you to anybody who has supported it or WCPC in any way, that of course includes this great blog. Much wicked clown love.

Waves Crashing Piano Chords has two brand spanking new releases: one of which was reviewed here and another tape which can be streamed/downloaded here.

H8-Track Stereo is having a sale right now, which you can go suss out here
Big thanks to Sean for doing the interview!

Karass - How To Make Love To A Machine

'How To Make Love To A Machine'

Karass

2013

(Band Submission)

Review by Brayden Bagnall

Genre/s: Noise, Ambient, Industrial

For Fans Of: (the toned down, ambient) Merzbow, Bastard Noise, Tim Hecker, Ben Frost

Karass (not to be confused with Karras - the faithless slime) is a multi-genre project out Seattle, Washington. Over various releases, they've covered everything from IDM to minimal synth to Throbbing Gristle-esque industrial. On How To Make Love To A Machine however, they cover more ambient, noise oriented territory.

Over 5 tracks, Karass establish cold, clinical soundscapes centred around the concept of technological fetishisation. The drones, phases and time stretches invoke this feeling of utter isolation - it feels kind of like you're the only person on board a spaceship, drifting through deep space. While it may be ambient, it is unsettling, distant and totally apathetic; something that could very well be the soundtrack to a sci-fi horror flick.

Head on over to the Karass bandcamp page, where you'll find this and quite a few other nifty releases for free.

TRACKLISTING:

1. Introduction 

2. How To Make Love To Machine 

3. Miracle 

4. Stimulation 

5. Love//Outro 

Bandcamp

Devil's Dung - Self Titled

'Devil's Dung'
Devil's Dung
2010

Review by Brayden Bagnall

Genre/s: Black Metal, Raw Black Metal
For Fans Of: Haxan, Roman Cross, Vucub Cane, Bone Awl

Dom Fernow and Mark McCoy.
Black metal.
Nuff said.
As much as I want to leave it at that, I suppose I should probably say a bit more. Yes, this is a collaboration between that guy from Charles Bronson and the dude from Prurient, yes it's a Youth Attack release and yes it's pretty darn good.
If you like you're black metal raw, bestial and very sinister, chances are this will be up your alley. While it's lo fi as fuck, you'll be able to discern the drums and guitars easily enough, and boy are you in for a treat there - ferocious, galloping blasts accompanied by grim, tremolos and mid paced dirges. The vocals are more on the mid range,  treated nicely with reverb so they float in and out of the mix like some sort of hellish demon swooping at you.
This is the only release by the duo, but at least both of them have plenty of other projects to keep you going. Still, it'd be cool to see them team up again, they are two of the best purveyors of  underground  punk and noise music in the USA after all.

TRACKLISTING:
1. Griezzell Greedigut Is The Name Of My Inmp
2. Daemonolatreiae
3. Nightshade, Uguent Of The Beldame
4. Vomiting Black Hair And Splinters Of Sheep Bone
5. Monk's Hood

Download

Puritan - DISCOGRAPHY

DISCOGRAPHY
Puritan
1996 - 1997

Review by Brayden Bagnall

Genre/s: Hardcore, Screamo, Sludge
For Fans Of: Reversal Of Man, Reach Out, Gasp, Damad

I feel pretty dumb for only finding out about these guys recently, but I liked them enough to gather all their releases into a discography collection, so there ya go.
Puritan were a fairly short lived screamo outfit from Pennyslvania who were active in the mid to late 90s. Combining the best parts of hardcore, with strung out sludge, drugged up powerviolence and chaotic screamo, these guys made the sort of music that could only come out of the 90s. Puritan change things up with their songs, jamming oppressively slow, atmospheric passages together with massively down tuned guitars and sudden bursts of blast beats and shrill screaming. It's too bad people are still to busy jerking each other off over Pg. 99 and Orchid (no discredit to those bands of course), because this stuff here is just ten times more intense and weirder than anything those bands ever put out.
Gathered below for your listening pleasure are everything the band released in one handy compilation, including their demo, their splits with December, Officer Down and Reversal Of Man plus a track they contributed to the From Stars Come Hearts compilation. Go forth and download!

TRACKLISTING:
1. Many And The Mases
2. Never Meanin No Harm
3. Chisel
4. This Is Medicine
5. With Love
6. Indoctrination
7. To Fall In Line
8. Dark
9. Time Passed
10. Indoctrination
11. Stationary

Download

Garbage Mask - Trashlake

'Trashlake'
Garbage Mask
2014

(Band Submission)

Review by Brayden Bagnall

Genre/s: Harsh Noise
For Fans Of: Swallowing Bile, Incapacitants, MSBR, Sickness

After wading through numerous photoshop tutorials you happen across this: a bandcamp.
Uncertain, you press play and at once you are assaulted by shrill feedback and cut up static scrunches. You've uncovered the noisy, violent world of Garbage Mask, a.k.a Texan noiser, Thomas Wiedemann.
Though admittedly I was directed to the site via email, my first experience with Garbage Mask was much the same - I definitely was expecting such levels of harsh, relentless noise. There's just layers upon layers of distortion writhing around in glorious, nihilistic abandon waiting for the next possible chance to go in through your ears and drill into your brain. Plus, the ever changing dynamics ensure that not one minute goes by without treating you to whole new array of squeaks, squeals and delicious crunches.
Trashlake is unashamedly unsubtle, volatile and unpredictable - no messing around here, just harsh as heck noise.

TRACKLISTING:
1.Flumizole
2. Flame Robin
3. Baboquivari Peak Wilderness
4. Ciconiiformes
5. Alexandru Borza
6. Madness and the Minotaur

Bandcamp

5 Way Orgasm Of Death

5 Way Orgasm Of Death
Waves Crashing Piano Chords / Rosy Palms / Swallowing Bile / Sunken Cheek / Foot And Mouth Disease
2013

Review by Rush Falknor

Genre/s: Power Electronics, Harsh Noise

 This is an awesome 5 way compilation of sick noise artists from New York put out by Continuum. records. Most of this can't be heard anywhere except for on the record, and it's definitely worth owning. I'm writing this in an artist-to-artist review style, because every artist brings to the table tracks that exemplify exactly what they do best.

Waves Crashing Piano Chords - WCPC gives you exactly what you expect (and want) from him. Piercing mic-to-amp feedback with intense, in your face aggressive vocals. He manages to reach lots of good tones with nothing more than his amplifier. A sample comes in eventually to add nice background to the wall of sound already being pummeled into you. Before you can even get used to the noise, it's already over, ending with a track dedicated to Dennis Lynn Rader (BTK Killer).

Rosy Palms - Haunting voices tease and flirt with each other amongst lo-fi treble and wet, gritty synth lines. This track has a nice ambience through it, yet just enough tone changes to remind you it's still there. It has a very industrial ambience to it, almost David Lynch-esque soundscape at some points. Eventually a noise like crawling insects comes in, along with sound bytes of women speaking about an altar and the atrocities they faced there. Rosy Palms truly put together some creepy noise tracks, keeping you either afraid or uncomfortable the whole time. The track concludes with high pitched feedback and out-of-breath shouted vocals, like the vocalist is almost gasping for life.

Swallowing Bile - Right out of the gate, walls of crumbling harsh noise wall come collapsing down onto you. With Swallowing Bile's recognizable vocals competing to be louder than his own onslaught of noise, this is straight up power electronics done right. If you don't know about Swallowing Bile, you're fucking up. Get on it.

Sunken Cheek - The Sunken Cheek track starts off with a rusty clanging sound and tiny bursts of high-pitched feedback. They continue with more bursts of feedback as a wind like ambience comes into the sound collage that is slowly coming together. Vocals that sound like demons drowning at the bottom of the ocean dance around the feedback violence; this track eventually collapses in on itself and turns to complete fucking chaos. A short and sweet track that's scratchy and abrasive as fuck. Don't miss out on this SC track.

Foot And Mouth Disease - FAMD start off with two short tracks of spacey noise, and then are eventually joined by Waves Crashing Piano Chords for a collaboration track to close out the record. With FAMD on noise, WCPC takes over the track with his signature mic feedback and "Bondage Raped" vocals. For fans of either artists, this is an essential track of two noise titans coming together as one.

BUY THE RECORD
WCPC TRACKS

Mindless - Human Conditioning

'Human Conditioning'
Mindless
2010

Review by Brayden Bagnall

Genre/s: Powerviolence
For Fans Of: Hatred Surge, Knuckle Scaper, Threatener, Abuse

Modern powerviolence done so right, it kinda hurts.
We all know Hatred Surge has kind of been losing their touch gradually after Deconstruct, but alas we have Mindless to fill the void.
Featuring ex Hatred Surge vocalist Faiza Kracheni, Mindless play super heavy, beefed powerviolence, with a bit of grind and hardcore thrown in. Just as chaotic and intense as their fellow PV peers, Mindless also feature one of the gnarliest bass tones I've ever had the pleasure of listening too. There's some monstrous sludgy breaks too, which tend to be overused nowadays, but Mindless pull it off tastefully.
This takes the 'fast and heavy' approach to powerviolence more so than the 'weird and drugged up' one, but the constant barrage of riffs, pissed of vocals and mosh worthy parts will keep you tapping your feet for multiple listens. Dig it below.

TRACKLISTING:
1. Live Burial
2. Diseased
3. Psychosis
4. Mental Deficiency
5. Left To Rot
6. Skinned
7. Human Conditioning

Download

Little Women - DISCOGRAPHY

DISCOGRAPHY
Little Women
2007 - 2013

Review by Brayden Bagnall

Genre/s: Avant Garde, Jazzcore, Noise Rock
For Fans Of: Last Exit, Naked City, Borbetomagus, Ornette Coleman

Jazz and all it's many, many wonderful forms are often overlooked by those in search of fucked up, scary music - which is unfortunate, as the genre has spawned some of the most cacophonic, dissonant recordings in the history of music.
Case in point: Little Women.
Little Women are a jazz quartet out of Brooklyn, New York comprised of two saxophonists (alto and tenor), a guitarist and a drummer. While they may be confined to instruments typically known for jazz, Little Women's compositions include elements of punk, math rock, noise rock and more typical jazz, all translated into some sort of hellish skronk nightmare. Better yet are the tracks where the band members incorporate vocals, never before have I heard such frightening, eerie sounds escape the mouth of a human being.
 Deliberately jarring, and objectively transcendental - Little Women's music teeters precariously on the line between chaos and order, with delicate subdued passages the buffer between the chaotic, improvisations that dominate these recordings. This band gives whole new meaning to the word 'sporadic' and it seems a little offensive to use the word 'unpredictable' because somehow, I think these guys knew exactly what they were doing.
You don't have to like jazz to like this - anyone with a profound appreciation for challenging music will be able to enjoy this, and on the flip side, jazz aficionados may find an entry point into the world of noise. Either way, Little Women are a force to be reckoned with, and further proof that avant-garde music can and always  will run circles around other 'heavy' genres with their vicious, alienating and completely unrelenting compositions.

TRACKLISTING:

Teeth (2007)
1. I
2. II
3. II
4. IV
5. V
Download

Throat (2010)
1. I
2. II
3. III
4. IV
5.V
6. VI
7. VII
Download

Lung (2013)
1. Lung
Download

Waves Crashing Piano Chords - Young Mouth/It Wasn't Even Worth My Back Seat

'Young Mouth/It Wasn't Even Worth My Back Seat'
Waves Crashing Piano Chords
2014

Review by Brayden Bagnall

Genre/s: Power Electronics
For Fans Of: Whitehouse, (early) Prurient,  Deathpile, Sutcliffe Jugend

There's violent...and then there's this. Waves Crashing Piano Chords is the power electronics project of Mr. Sean Beard, a noise musician out of Rochester, New York.
Unlike many noise projects around today, WCPC utilises a primitive, almost puristic approach to power electronics, eschewing synthesizers and pedals for a microphone and unholy amounts of feedback. WCPC has taken the creepy, wailing screeches of 1980s era power electronics and brought them to the forefront, without the muffled or drowned out quality of some of those recordings - it's mean, in your face and very fucking loud. With nothing standing in between you and cascading walls of shrill feedback and Sean's gruff, menacing vocals, WCPC are definitely one of the most confrontational and unforgiving power electronics outfits around. Harnessing pure microphone feedback and turning into a formidable weapon may be one thing, but doing in such a way that makes the hair on the back of your neck stand up goes to show that is entirely possible for folks to still create music that elicits such a strong response (as sadistic as this may be).
Young Mouth/It Wasn't Even Worth My Back Seat is out on 7" very shortly on H8 Track Stereo but in the meantime you can either download it here or suss it out on the Waves Crashing Piano Chords soundcloud.

TRACKLISTING:
1. Young Mouth/It Wasn't Even Worth My Back Seat

Soundcloud
Download

Whitewater Orgasm - Immunity

'Immunity'
Whitewater Orgasm
2014

Review by Brayden Bagnall

Genre/s: Harsh Noise, Power Electronics
For Fans Of: Prurient, MSBR, IRM, Damien Dubrovnik

Whitewater Orgasm is the solo project of Finnish noise musician, Santeri Lohi. 'Immunity' is his latest release, and boy does it pack a wallop.
Fading into a massive static wall with album opener "I Fall From Normal State', it seems that Lohi's only got one thing on his mind: utterly destroying your ears. Backed with harsh, hoarse vocals reminiscent of something you'd find on a black metal album, that track does take an almost surprising turn by ditching the static and going with very heavily distorted synth instead. From there on in, Immunity builds on this formula of static walls, synth lines and incredibly painful bursts of feedback tweaking it slightly to include minimalist and somewhat mournful ambient passages. Each track features a different combination of the aforementioned traits, even foregoing the harsher elements in favour of more unsettling, subdued soundscapes.
Immunity is a difficult listen at times, with some of the sustained feedback tones proving a little to treble heavy and piercing for my poor little ears, but on the tracks where the feedback is balanced with low end crunch, as well as the vocals and synths, it proves to be a very well constructed noise release indeed.

TRACKLISTING:
1. I Fall From Normal State
2. Crawling Through A Slow Death
3. Firestorm
4. Hoping For The Sky To Fall
5. Scales To Weigh The Failures In Life
6. Where Mermaids Come To Die
7. The Tropic Sinks Away
8. I Cry Under Snow
9. Dysphoria
10. I Cannot Love
11. Do You Dream To Live Or Live To Dream
12. Orgasm Symbol
13. The Outside Is Calling You
14. Signal Sex

Download

FUCKED BY NOISE ON FACEBOOK

Yup, we're scraping the bottom of the barrel here folks. We're on Facebook now.
Mosey on over here and give us a like. We'll be updating more often than ever now with bandcamp links, news and other things you can scroll past on your phone while you're taking a dump.

Thee Nodes - DISCOGRAPHY

DISCOGRAPHY 
Thee Nodes
2011 - 2013

Review by Brayden Bagnall

Genre/s: Punk, Garage Punk
For Fans Of: The Mummies, Crazy Spirit, Dawn Of Humans, Vaginors, Big Zit

This post is mostly inspired by what was possibly the best weekend of gigs of I have experienced in my relatively short life. Without getting into it too much, I had the pleasure of seeing Thee Nodes twice, and experiencing the wrecking ball of debauched madness that is this band live. Oooooh boy.
Anyway, Thee Nodes are a four piece punk band from Montreal, Canada and basically they sound like The Mummies on a combination of mind altering substances. Lead by 'vocalist' Mr. Node's warped, screeching vocals - the band play a hyperactive, chaotic re-imaging of garage punk. Over the span of their four (current) releases, Thee Nodes have honed their craft into a boisterous, energetic maelstrom of overdriven, noisy punk that's a bit too chaotic to be called catchy but too catchy to be called chaotic. I wasn't able to pick their latest cassette up at the show (F.R.E.A.X is a compilation of all their releases so far), but here's the next best thing - a download of all their releases so far for you to get your grubby mitts all over.
As good as their music is recorded, it seriously pales in comparison to the live show these guys put on. Seriously - if you ever get a chance to see Thee Nodes live - do it.

TRACKLISTING:

October 2011 Demo
1. FUTURECAR
2. WE ARE THEE NODES
3. SHUT UP
4. MY MASK
5. LIVING LIKE A CORPSE
6. SCREEN ADDICTION

Stagedive Baby C'mon!!!
1. Stage Dive
2. Marc's Song
3. Mirror
4. Floating Thru The Sky
5. My Mask

Welcome To 2013 Comp (Thee Nodes tracks only)
1. Commodify Me/FOL

All Day Every Day
1. I Hate The Hip
2. Smashin' My Head
3. Breakin' The Glass
4. Ugly Bodies
5. Lifestyle Lie
6. Filthy Gaze

Bandcamp
Download

Big Zit - Demo

'Demo'
Big Zit
2013

Genre/s: Punk, Hardcore
For Fans Of: Bad Brains, Thee Nodes, Dawn Of Humans, Crazy Spirit

So Bad Brains may still be alive and kicking, but let's face it - HR looks like he could drop dead at any moment and no-one really actually likes the band for the reggae songs. While one of punk's most important and influential bands is fighting off relatives trying to pull the plug on their life support, why not try something a little more, uh, less old.
BIG ZIT are the band in question. Hailing from Chicago (which has a ridiculously good music scene right now, holy shit), Big Zit play Bad Brains style hardcore, albeit in a much more unrefined and weirder fashion.  You've got the HR style vocals, only they're squeakier, higher and much more sloppy and then you've got amazingly fast guitar and drum work, complete with off key guitar solos. I honestly can't get over how new and refreshing this demo is, considering it's essentially building off the blueprints set by a band over thirty years ago.
Big Zit's demo is everything you could ask for from a punk release - fast, weird and obnoxious. It's over before you know it, but it'll leave you that invigorating feeling you can only get from a  hardcore band.

TRACKLISTING:
1. I
2. II
3. III
4. Yer Moshing
5. IV

Download

Interview with Josh Doughty

Interview by Brayden Bagnall

Josh Doughty is a noise artist out of Nacogdoches, Texas with two projects, Female Pedophile and Funeral Parlour under his belt. Josh also co-runs the Dumpster Noise Records label with fellow noisemonger  Thomas Wiedemann. I talked to Josh about his projects, the label and his relationship with noise music.

FBN: Firstly, tell us who you are and about your current project, Funeral Parlour
Josh: Hello, my name is Josh and my main project is Funeral Parlor, which is a noise act from Texas with a lot of synths and perverse themes such as incest and other shit.


FBN: Have you been involved with any other projects, noise or otherwise?
Josh: I do have a HNW project that is merely a side thing called Female Pedophile that has the overall theme of women sex offenders/rapists. I plan to be more involved with many other artists in the future.


FBN:  Have you and any of your projects ever played live?
Josh: Unfortunately, not at this time. Right now, money is tight and I am just putting a decent catalogue out for people to listen to. I plan on playing live later on this year.


FBN: What instruments and equipment do you usually use?
Josh: I generally use very little equipment. Normally a keyboard with a lot of reverb on it for the main sounds and for the background noise, pedals like the RAT and the DEMENTIA are some of my favorites. A lot of mids and delay too in the mix.


FBN: What drew you into the world of noise music?
Josh: I was introduced to the genre 6 or 7 years ago and I remember being like, "what the fuck is this shit?" but noise is everywhere and I worked a lot of construction, which can be extremely loud to be around as well. Also seeing contemporary acts playing led me to want to create something out of nothing myself.


FBN: Are there any artists, musical or otherwise that inspire your output?
Josh: My influences range all over the place honestly. It can go from Whitehouse to Keith Sweat to Asylum Party to C.C.C.C. The most immediate influences would be my label mate Thomas in Garbage Mask and other artists making shit around me. Watching them create shit makes me want to as well.


FBN: Tell us about the label you co-run, Dumpster Noise Records - how did that come about and what's involved with running it?
Josh: Well, Thomas wanted to make noise himself and after a couple of months buying the appropriate equipment, he started showing me some neat recordings. By learning how noise was actually made opted me to try myself to make some shit. We ordered a shit load of tapes and after about two releases, Dumpster Noise Records was made. I believe this will only grow now. I take care of dubbing all the tapes and Thomas takes care of making the J cards. We split everything in half so it works out pretty well! If we like something, we put it out.


FBN: Any tips or pointers for anyone looking to start a label themselves?
Josh: I am a firm believer of doing everything yourself. Not only will you get shit done the way you want, you will find it to be very liberating once shit starts rolling for you. Relying on other people can be much more taxing in regards to time.


FBN: For a genre that has its roots in anti-art and abolishing stylistic conventions, noise has certainly picked up plenty of styles and conventions of its own, especially in regards to subject matter, themes and aesthetic. How do you feel about this?
Josh: I do see the anti music side of it, but even walls of feedback and sounds have some sorts of structure especially if you are the one dictating what comes out of your speakers. Noise has been around for a while now and I believe that without being lost in the plethora of acts that use the same equipment and effects and putting out a considerable amount of music, a theme or some sort of subject matter is almost necessary. That is the way I see it at least. Its like, "I've heard Merzbow before. What can you do to make me listen?" And "Say something new or nothing at all."


FBN: What are your top three noise releases?
Josh: Whitehouse - Bird Seed, Merzbow - Frog, and Aube - Hydrophobia.


FBN: Finally, any thank yous, words of wisdom or shout outs you wish to impart on the blogosphere? 
Josh: Thank you for taking your time to ask these questions and for the opportunity and thanks to anyone who has listened to my shit! Shout outs to to everyone on the Dumpster City 2 x CS that is expected to drop next month. Check out Garbage Mask and The Hague. Also, if you can find contact for Natural God, let me know. They fucking rule and want to release more of their shit. Stay safe.


Funeral Parlour's music can be found  here, and Female Pedophile's music can be found here
Tapes (from Funeral Parlour and Garbage Mask) can be found at the Dumpster Noise Records bigcartel
Keep an eye out for the Dumpster City 2 x CS, which will be out shortly!

Big Fur Coat - Rituals Laughter

'Rituals Laughter'
Big Fur Coat
2014

(Band Submission)

Review by Brayden Bagnall

Genre/s: Noise, Free Improv, Noise Rock, Avant Garde
For Fans Of: Boredoms, Hair Police, Cured Pink, Fushitsusha

Everyone knows conventional song structures blow, and meticulously structured song writing does get a bit droll after a while but no one knows this more so than Big Fur Coat. BFC are a duo of musicians from Massachusetts, USA who specialize in deliciously abstract noise rock, straight out of the school of free improvisation.
Rituals Laughter is the end result of two dudes getting together and jamming, the sort of atonal, aimless jamming that only someone with an utter disdain for the well being of anyone listening could produce. The guitar lines spit and stutter like a rabies victim, unleashing quick bursts of crazed energy, before leading off into some sort of heinous discordant void, only to come back later and have another go at your jugular. On the other end are the drums, which don't exactly keep the pace (there is no pace), but instead they frollic around in chaotic fills, and compliment the jarring guitar playing with equally unpredictable vigor. It's not just the guitar and drums either, you'll get screams, yells and coughs thrown at you at very random intervals (I heard a can opening too, so there's that).
Rituals Laughter is by no means a track by track album. By itself the tracks would seem out of context and pointless - but as a whole it's a monstrous testament to the noisier side of avant garde music. Just sit yourself down, play this and enjoy the sonic fistfuck that will surely greet you when you press play.

TRACKLISTING:
1. GREEN GOES GRAY
2. SPAIN, UTAH POLICY HOOP
3. ONE IN FOUR
4. FELL IN (LOVE WITH) A HOLE
5. C.I.A. SUPPORTED
6. O'LEARY'S DEAD CHICK STILL KICKS
7. NEOHAPPY
8. DONE HURT MY BRAIN BONE
9. SLAPPED TO HELL
10. PENALTY
11. KILLED IN PRISON
12. GOT THE OUTBREAK
13. HYMN AND HEARSE

Bandcamp

Rizoma - Self Titled

'Rizoma'
Rizoma
2013

(Band Submission)

Review by Brayden Bagnall

Genre: Noise Rock, Garage Rock, Stoner Rock
For Fans Of: Melvins, The Stooges, Mudhoney, Satan's Satyrs, Brainbombs

Holy mother of RIFFS Batman!
Rizoma are a three piece outfit from Madrid, Spain and this here is their debut, self titled EP.
Rizoma's influences range far and wide, but ultimately they center on the nasty and untamed side of rock, with garage punk and noise rock being the ones that stick out.
On this 6 track EP, the Spaniards prove they're quite adept at coaxing delicious, fuzzy tones out their guitar with plentiful smatterings of psychedelic tinged guitar solos that are just soaked in wah. Just as wild and woolly as the guitar are the vocals, which have this raw, almost desperate quality to them. On this EP, Rizoma flow from grunge to stoner rock (closing track ¡Oh, Son Muñecos De Nieve Que Profetizan El Apocalipsis!), to straight-forward, three chord punk (Cows, Sheeps, Pigs And Tractors) to aggressive noise rock (Wipers Shirt) while maintaining its hazy, garage rock persona.
Not quite Stooges worship, just shy of something Sub Pop might've picked up back in the day and definitely something you wouldn't want to take back to meet your parents - check it out.

TRACKLISTING:
1. Satanic Psychedelic Punks On The Run
2. It Feels So Good To Kill My Neighbors While Listening To The Stooges
3. Wipers Shirt
4. Cows, Sheeps, Pigs And Tractors
5. The Invasion Of The Fascist Scarecrows (Horticultural Reich)
6. ¡Oh, Son Muñecos De Nieve Que Profetizan El Apocalipsis!

Bandcamp

Pop. 1280 - The Grid

'The Grid'
Pop. 1280
2010

Review by Brayden Bagnall

Genre: Noise Rock, Post Punk, Synth Punk
For Fans Of: Destruction Unit, Big Black, Mutant Video, Total Control

Pop. 1280 have reached the fabled balance between style and substance - the mythical middle ground between having decent music and a rockin' aesthetic to boot. Sure pink album covers and driving gloves are cool, but you know what's even cooler? Cyberpunk -  cyberpunk lifted straight from the gutters of a very grimy, 1970/1980s New York. This feels like Videodrome, Escape From New York, The Warriors and THX 1138 somehow got together and started a punk band together.
Style aside, Pop. 1280's music is every bit as sinister and sleazy as a 70s sci fi flick, melding synth lines with angular, scraping guitars to create their 'cyberpunk' sound. There's 9 tracks here, broken up by instrumental interludes that sound like they could've been lifted straight from a John Carpenter film, all of which really convey the pulsating, unsettling throb of an urban dystopia. Lyrically The Grid explores the underbelly of this decaying city, and the prostitutes, junkies and chronic masturbators who populate it, detailed by a vocalist that sounds a tad bit like Trent Reznor (just a bit).
Stylistically appealing and musically appealing, this is one for those of you who like your noise rock a little more refined, but disturbing and weird nonetheless.

TRACKLISTING:
1. Step Into The Grid
2. Interlude
3. Anonymous Blonde
4. Data Dump
5. Redtube
6. Interlude 2
7. Midget
8. Trash Cop
9. Outerlude

Download

White Hospital - Holocaust

'Holocaust'
White Hospital
1984

Review by Brayden Bagnall

Genre/s: Power Electronics, Industrial
For Fans Of: Whitehouse, Sutcliffe Jugend, Throbbing Gristle, Ramleh, Psychick Youth

Japan is not a place you'd normally associate with first wave of power electronics - I'm more used to hearing about the emerging 'Japanoise' scene and it's migration over to America - yet here we are with what is essentially a first wave power electronics release from a Japanese band.
White Hospital were comprised of Jun Konagaya and Tomasada Kuwahara, and unfortunately they didn't stick around very long, releasing only this album and the excellently titled 'We Wish You Are Merry Christmas' 7". Despite this very short lifespan, White Hospital did produce what I think is one of the most creative and innovative industrial releases of its time, melding tribal rhythms, field recordings, sampling, primitive synth lines and screeching feedback into a volatile and often creepy miasma of sound. Holocaust's biggest strength is its juxtaposition of quieter passages with the louder ones, balancing eerie, menacing ambient with apocalyptic, harsh industrial soundscapes. The vocals, on the few tracks where they appear, are venomous and distorted beyond all recognition and tend to follow the rhythm of the song, rather than be the focal point.
Definitely not your average power electronics release, if anything I'd say it has more in common with Throbbing Gristle/Psychick Youth and the tribal noise that Whitehouse have been pedaling as of late.

TRACKLISTING:
1. Hymn Of Heaven
2. Robotomy Operation
3. Body And Flesh
4. Transfer-15
5. Holocaust (Live)
6. Ginny Voice
7. Fair Warning
8. White Hospital

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